Friday, November 9, 2018

Scenic Twilight

Scenic Twilight

It's been a while since I've worked on a photo project. Three stymied attempts to go to Mexico and Hawaii to collect more sunset photos and my illness really combined to suck the creative spirit right out of me. Had to dig through my photo library to find an old one from Waikiki just as the sun went down over the horizon.

I positioned X-Transbots Flipout on a paving tile in front of my laptop screen. Although I took a bunch of photos with different colored gels on my flash, I wound up only using a single photo from when the flash didn't fire. The reflection from the monitor and the ambient room lights provided enough color variations.

The Ferrari emblem is from a photo of a Ferrari that is more or less oriented in the same position.

I haven't gotten around to transforming Flipout yet. I expect it will be as easy as Crackup was.



Sunday, April 15, 2018

Nemesis

Nemesis

I still love Planet X Apocalypse. It is definitely a conversation piece. How could any guest not acknowledge a large robot standing guard on the coffee table? Unfortunately with no space to display large pieces in the living room, I have dispersed the larger figures to the bedrooms, much to my family's annoyance.

Apocalypse is too big for my light tent and my acrylic sheets so I had to shoot him on a piece of white poster board, then painstakingly cut him out. I'm a bit out of practice so hopefully I didn't leave too much of an outline. I added the purple glows in Photoshop because I ran out of those little batteries to make use of his light-up feature. 

The star field is from a couple of Noise layers. The nebulas are from a cloud photo I had taken somewhere and colored with a Color Dodge layer using my custom smoke brush. Both suns and the small planet are created from Sphere Distortions of marble textures I found online, then color graded with Layer Styles and Photo Filters. Using Color Dodge as the Outer Glow Blend Mode causes them to interact with the cloud layer underneath, giving them their asymmetrical halo. The foreground is a NASA photo of our own atmosphere. And of course, I wrapped it all up with a lens flare.

Direct link - https://drive.google.com/open?id=1-ZQN9mcTUHsog4nsslT6jc7rv5QNYrCy

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Starscream's Triumph

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