The Coming Storm

The Coming Storm

I started out with a simple space scene to highlight Generation Toy Tyrant, but got bored since I've already done a couple of those. I also wanted something more than a sunrise backdrop. 

Tyrant and GCreations Ultra Maxmas were shot in my light tent. A combination of colored gels on my flash and Photoshop Curve and Color Dodge layers were used to color grade them. Tyrant already had purple energon lines painted on his body, which I spruced up with Inner and Outer Glow Layer Styles. His exhaust trail is a distorted polygon with Field Blurs applied at both ends.

The background is a sun rise shot over the Silicon Valley, taken after a long hike up Black Mountain. The explosion is from a stock photo I found online. I used a Levels layer to blend it into my photo, then I used Color Dodge layers to paint the sky and clouds on fire, more so than they already were from the sun. I finished the scene off with a lens flare because I'm channeling JJ Abrams.

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War Zone

War Zone

I was originally inspired by that highway scene between Optimus Prime and Bonecrusher in the first Michael Bay Transformer movie. Somehow it morphed into this scene between Jazz and Scrapper instead.

The background picture is not mine. It is from a 2014 AFP photo of a car bombing in Beirut. 

I shot Generation Toy J4ZZ and Scraper with some colored gel on my flash in anticipation of matching them to flames. In Photoshop, I used curve, photo filter, and saturation layers to further blend them into the picture. For Scraper, I placed a shadow layer under him and some dust to obscure where his feet "meet" the ground. His eye flare is from a lens flare render. For both figures, their faction symbols are actual stickers, but with inner, outer, and gradient layer styles enabled to provide that shimmering effect. As usual, I covered up obvious screws, filled in gaps in the form, and provided some subtle glow layers.

In the foreground, I blended in some embers from stock photos by placing them in front and behind J4ZZ. They add some more depth to the image.

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Sunset Drive

This is a actually my second attempt at this picture after spending a whole day working with a different one that just wouldn't come together.

I placed Generation Toy J4ZZ on a Toyhax dark ground tile with an aquarium rock deco. The sunset is a shot I took during a vacation in Waikiki Hawaii. The smoke is from a picture of clouds. Unfortunately, I had to find a forest picture online; there's nowhere nearby for me to get a shot like that. The road strip and skid marks are drawn in. I also added headlights and a motion blur for the tires and rims.

I'm not quite satisfied with how the road and rock edges blend in with the background. Still a lot to learn about how to do blending in Photoshop.

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Die, Autobots!

I have a morbid fascination with this scene, from when the Decepticons blasted their way onto the shuttle to when Megatron blew off Iron Hide's head. I couldn't believe how easily the Autobots went down. These weren't Red Shirts nor the weaker members of the team. I wonder what Brawn was thinking, charging in like that, without even a gun.

Bad Cube Brawny was shot from above. I'm still getting used to the depth of field on my new camera, which is why his feet aren't in focus. I ran his windshield through a Craquelure Filter Gallery and used Clone Stamps and Hue/Saturation Layers to draw in the debris. His mouth is brushed on. There is a Drop Shadow Layer to give him a sense of being elevated from the ground.

Masterpiece Starscream is holding the mini Megatron accessory that I've long forgotten came with which figure. The smoke coming from the barrel is a shot of an extinguished candle flame. It's a subtle effect, but I think worth the effort spent capturing some smoke pictures.

Generation Toy Navvy is serving double duty as Scavenger and Bonecrusher. I used a Hue Saturation Layer to recolor his legs for Bonecrusher and the smoke to hide his body.

Generation Toy Mixer may have provided for a more consistent look, but I'd already spent some time cleaning up Toy World Concrete.

Sadly, Long Haul didn't make it into the shot since I don't have one.

Since I couldn't think of a decent way of replicating the shuttle interior, I spent a little time transforming and clone stamping the screen capture. I had to hide where the drawn characters were still peaking through and extend the light running along the ceiling.

I may have gone a little overboard with the smoke effects, but I needed a way to hide not-even-not-Bonecrusher and the far end of the shuttle. Both sets of smoke were drawn with my custom Smoke brush.

I may redo Scavenger and Bonecrusher and add in Long Haul once I get a hold of the Toy World figures.

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